The Book the Broken Eye by Brent Weeks story is narrated by the very death, and who have to imagine, in World War I had a lot of work. At this time is where he draws attention, a girl who has missing her brother and is sent to live by means of her adoptive parents, Rose. Continuing the story, Hans teaches to read and she quickly developed a passion for reading, to the point that it will borrow some books from the local library. Also, this will hide Max, a Jew who escaped persecution in the basement of the humble house where they live, risking the welfare of all to save him. In this film there are many moments of drama, but not as violent as you might think about the issue, making it a bit light for adolescents and adults who are not used to the intense scenes can also enjoy.
There are also many comedic moments that will make more than a smile and even laugh. The photograph is very well maintained, and although the majority of the film takes place, not bored. As for the performances, no doubt matched to hire Geoffrey Rush and Emily Watson, as these two play the two most colorful characters on the screen. The music is quite appropriate in all times and of course, it was expected, since it was composed by the great John Williams. Like all adaptations, Book Thief suffers from the loss of several elements of the novel, but this is normal. What fans should know is that the whole story was well adapted and the film has been well received by the general audience. Leveraging yesterday came out in Spanish Dagger of Blindness, the sequel to the black; include excerpts from a recent interview with Brent Weeks on his web forum, which also talks about his future plans when you close the Light Bearer.
The interview has spoilers to unveil plot, except for the part with strikethrough formatting, which suggests what can happen in the black Prism. When asked why he does his characters suffer so much, without naming certain character that does not end the way the shadows in a good position, Weeks replied. I like my characters are faced with what a college professor of mine called a confrontation with the end. Why Oedipus eyes start? Or is it instead a great way to convey your metaphorical blindness? The characters, like people, learn a lot about themselves when they hit bottom. Sometimes we surprise our strength, and sometimes surprises us our weakness.
In fantasy, as in the literature, there are generally overused tropes and only surprise neophytes. How does Brent Weeks to balance the recognizable tropes of narrative and does not seem very hackneyed. I live in the tension between believing that it is impossible to write something new and it’s impossible not to write something new. I have my own tolerances on what I’ve seen and I wonder , and what bores me a lot because I’ve seen it a hundred times and I hate it. I’d rather get something new telling a story with passion.